Hillary on any passing television screen, he also displays an open-ended, lingering fascination with what a coming of age story looks like to young people today. And while Guadagnino takes the opportunity to throw artifacts of Trump vs. Unlike Call Me By Your Name's liquidly nostalgic 1980s setting, We Are Who We Are is set in the more recent past - 2016, to be exact. ![]() A young American kid abroad with his family encounters a beguiling stranger and works his way through his burgeoning sexuality and fraught emotions, all amid well observed production design and stylish music? Sign us up. It's almost impossible to watch Guadagnino's new HBO miniseries We Are Who We Are and not immediately think of Call Me By Your Name. That film's queer coming-of-age story was entirely removed from the present day and time, yet tethered emotionally, sonically, and circumstantially to the present moment. Of course, the one that did, 2017's Oscar-nominated Call Me By Your Name, did it so perfectly that it now feels like this is Guadagnino's wheelhouse. There's a dreamy quality to everything director Luca Guadagnino has made a lush, indulgent, singular space that creates a perfect setting for coming-of-age stories, even if the majority of his films ( I Am Love, A Bigger Splash, Suspiria) haven't really addressed that topic.
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